The Bachelorette: “Let’s Bag This And Go Play Blackjack.”

Hey, before we get down to business here, can we talk about Ashley for a minute? I’m not so enthused about her as the Bachelorette this season, mostly because I wasn’t so enthused about her last season, and while I’m unlikely to be heard referencing Brad Womack’s opinions on anything, ever again, neither was he, really. I understand how a show like the Bachelor(ette) wants to work in a little intra-season continuity by using familiar faces and all that, but I don’t see why that needs to be the rule, especially in the case where we’re faced with a third-place finisher who wasn’t all that compelling during her first go-through. Care to comment? Bring it.

"I would rather swim in pee."We should probably have a quick talk about Bentley, too*. Early and often is how he’s communicated his own indifference to Ashley as the proposed object of his affections since we learned of his existence last week, and yet, put him in a one on one situation with her, and he’s all charm. Hmm. We’ve seen people on this show emerge as villainous types with ulterior motives and/or questionable ethics. We’ve even been plenty suspicious about the producers’ motives in bringing people like this on board, but when has the combined effort at scummy bad faith dealing ever been as obvious? I mean, sure I’m rooting against this woman finding love on this television show and all that, but that doesn’t mean I want to see her life get wrecked.

Besides, who needs some guy who doesn’t even like Ashley to wreck her life, when guys like William, who DO like her, are champing at the bit to do the job? Yeah, William, the cell phone salesman and self-described unlucky-in-love-er gets the first solo date, and as he and Ashley drive to the airport, where a private jet is waiting to whisk them off to Las Vegas, somewhere on the mansion grounds, presumed white collar criminal Ames is heard asking The Mask when he thinks he’s going to show his face. The Mask says he will do so on his first date with Ashley. He notes that he is taking “The stealth approach” to the Bachelorette**.

Then Ashley and William are in Vegas. Tourists gather. Some fat girl in an ugly green dress remarks that she’s so happy that Ashley is the Bachelorette, but I have a feeling that she’s someone who’s already learned to settle. Anyway, Ashley and William test wedding cakes. Ashley and William shop for engagement rings. Ashley and William pay a visit to a wedding chapel and start having a fast wedding. The priest asks William if he’ll take Ashley as his wife and he says yes. Ashley chickens out when he asks her the same question. It’s hard to see how this particular date, even with the franchise’s entire history of paying lip service to the idea of enduring love and marriage in mind, doesn’t represent the plumbing of some new depth.

Then it’s dinner out in the middle of Bellagio’s fake lake in the middle of fake ol’ Las Vegas. Ashley’s concerned about William’s ability to be serious, but luckily his dad was an alcoholic before he died, so Willy gets the date rose. The bar is set high, we’re told. She doesn’t know if anyone else can measure up to William, she says. As for William, his heart is soaring higher than the fountains that are currently doing their squirty best to create some sort of nonverbal double entendre.

Next up, a group date in Las Vegas, featuring everybody but J.P., Ryan P., Mickey, Ben C. and The Mask***. Right off the bat, the lot of them are divided into two groups which will compete in order to stay in Vegas and “party” with Ashley. They’ve gotta design and perform a little dance number, with some hip hop dance troupe judging. The losers lose and get sent home, and soon after that, the winners are all taking turns having little private chats with Ashley****. Lots of them talk a good game, but none as good as Bentley, who must be one of those The Game types, the way he works her over during their téte â téte and comes out of it with the rose. Is it wrong to say at this point that I really miss Drunk Tim?

Last solo date: Mickey and J.P. must flip a coin to see who goes. Mickey wins. The coin flipping doesn’t stop there, either. Ashley and Mickey use it to choose their wine, who will ride the wires up the big ostentatious wine column in the middle of the restaurant to fetch the bottle, where they go to drink it, whether or not Mickey gets a rose at the end of the date and whether or not to put a bullet in the brain of the AOR lady who plays a concert “for” them at the end.

Finally, it’s the last party before the rose ceremony. J.P. has voiced some dissatisfaction over not getting to go on a date with Ashley due to a coin toss, to which I say, meh. He’d be fine with it if he had won the toss. If he’s looking for fairness, maybe he should have a peek in a dictionary – it’s there between failure and fake.

Ah, but that’s me. Ashley’s much more inclined to smooth his ruffled feathers, give him some smooches and hand him the by now-standard line about patience. Otherwise, the Mask has been making everyone a little crazy with the mask, but just when he’s about to take it off for Ashley, they’re interrupted and now he has to keep it on for another week. Boooo! As much as Bentley seems bound and determined to present himself as a creep, he might have some competition, because William shows signs of being the sort of “nice” guy who sits atop a deep well of hostility. And Stephen the hairdresser, Matt the office supply salesman and Ryan M. the construction estimator get shown the door. Lucky bastards.

*anything to avoid talking about William

**which of course is the exact opposite of what a person is doing when they opt to be the only person in a house full of eighteen people who is wearing a black leather mask all covered with little filigrees.

***anybody else looking forward to a more manageable number of suitors?

****yeah, you sure got that right. SOME party.

68Comeback is a Place Where Nothing Ever Happens

Having recently been raptured (long story) and returned to corporeality in order to perform a valuable public service (the 68 Comeback Special), the view from the on-air booth seems a little different today, May 26, 2011. Could you tell?

Talking Heads  –  Heaven

Yacht  –  The Afterlife

Buffalo Tom  –  Heaven

Chad van Gaalen  –  Can You Believe It!?

Sloan  –  Unkind

Spinanes  –  Punch Line Loser

Kate Maki  –  Boredom Blues

Andrew Bird  –  Dark Matter

The Blue Seeds  –  Might As Well Dream

the Jolly Boys  –  Perfect Day

Booker T. Jones  –  The Bronx featuring Lou Reed

Eric Dolphy  –  Straight Up and Down

Athena Holmes  –  Somethin’ Special

Shannon & the Clams  –  Sleep Talk

Hale Hale  –  Lullaby

Bettie Serveert  –  This Thing Nowhere

Okkervil River  –  Your Past Life as a Blast

Serengeti  –  Tanning Season

Gatineau  –  Non, Mais Pourquoi?

Bebop Corez  –  Junior Munchy

Paul MacLeod  –  Instrumental

Obits  –  Naked to the World

the Goldberg Sisters  –  You’re Beautiful When You Die

Ted Hawkins  –  Long As I Can See the Light

Make A Wish, Bobby!

"...and you smell like one, too!"One problem with turning seventy years old (apart from the obvious), if you’re any old run of the mill guy turning seventy, is the presents. On the one hand, no one who isn’t that old has any idea of how to relate to a person who is, and therefore they haven’t the foggiest notion of what to get for their aged friend/relative, or where to find it. On the other, anyone over seventy, though they may have all sorts of great gift ideas for those in their age bracket, are completely unwilling to share these ideas because they don’t think anybody who isn’t their age has done enough to earn them.

But turning seventy years old when you’re Bob Dylan is even worse. If you’re just any old old guy getting older, they give you the gifts no matter what because they don’t care so much about whether or not you like them. When you’re Bob Dylan, however, they’ll either be completely paralyzed with worry that you’ve already got everything in the world you could possibly want, or completely paralyzed with fear that you’ll sneer at them and their inadequate offering. Either way, Bob Dylan does not get a lot of birthday presents, but on top of that, lots of times people don’t even call. And on a guy’s Big 7-0, that’s one raw deal.

We here at the 68Comeback Special, however, are not so cowardly or faint of heart. We’ve written plays with Bobby D as the central character, we’ve posted funny cartoons that others have drawn of him, and in other places, we’ve even taken the time to contemplate, going forward, his best interests. In other words, believe us, we know.

And so, it is on the strength of that knowledge that we suggest, on the occasion of his SEVENTIETH birthday, that all Bob Dylan wants in the whole wide world is for you to consult this here “Your Best Bob Dylan Album Calculator,” then go and purchase the album you have been directed to buy and otherwise leave him alone. Predictably enough, you might be inclined to suggest that this advice bears a strong resemblance to the aforementioned bad birthday business of not getting him anything and not calling. But no, this is different.

The Bachelorette: Ashley? Really?

"Care yet?"

Ashley Hebert, eh? I’m shrugging right now. Indifferently. As I begin to type, I worry that this indifference is something I won’t be able to overcome over the course of this season. What if I just can’t bring myself to root either decidedly for or against her? Of course, I really shouldn’t worry. By the end of two segments – a brief recap of her adventures with whatsisface last season and then a quick little something designed to show us how great and cute she is – I can now safely say that I am one hundred percent in favour of Ashley not finding love within the group of 25 suckers…, er, stiffs…er, hale fellows well met who the producers of the Bachelorette have selected for her to select from.

I feel even more strongly about this following her quick preliminary sitdown with Chris Harrison, where she 1) clearly demonstrates by showing up that she’s not one to easily learn a lesson, 2) comes across like it’s her fault that shit didn’t work out last season with whatsisname, and 3) so easily falls right in with all the stupid Bachelor(ette) cliches, like the one about people “being there for the right reasons.” But hey, we’ve got all season to root against Ashley. Some of these guys, we’ve only got an hour. Here come the limos!

So then. Cripes. Yeesh. For God’s sake. There used to be a time on the Bachelor(ette) when the potential suitors emerged from their limos, walked directly to she who would be wooed, hugged and/or shook hands with her, introduced themselves and then cleared the hell out of the frame so the next guy could move in and do the same. Now everybody’s got a schtick – broken compasses, poetry, bottles of wine, picking her up and walking away. Freakin’ Mickey Chef leaned in and kissed her! A complete stranger! On the mouth! Anthony the Butcher, on the other hand, immediately turned and checked himself out in the limo’s tinted window. Jeff the Entrepreneur wore a mask. William did impressions.

As for the cocktail party itself, again, I’m shrugging. The key word here is ‘cock’, and the presence of one woman just barely changes that dynamic. Now, I suppose if I was one of those guys, and it was a contest, and the woman was basically in control of whether I could stay in the contest, maybe I like to think that I’d try to have a good attitude about the whole thing, make a good impression and whatnot. But as it stands, it’s Ashley, so maybe I wouldn’t, and maybe Tim the Liquor Salesman had the right idea – get really drunk, fall asleep and snore so loudly that you’re guaranteed a spot in the first car home. And MAYBE it’s also a fairly good bet that at least a couple of the fellows from among the group of first departures – Jon, Anthony, Rob, Frank, Michael and Chris M. – now believe that not being conscious by the end of the episode isn’t as poor a strategy as they once thought.

It’s The End Of The World As We Know It, And I Feel 68Comeback

If the world does get all rapture-y in a couple of days, we wouldn’t want to come across like we were totally oblivious now, would we? So here’s a list of tunes we played to mark the occasion. May 19, 2011 – is that it, is that the last? Well then…

P:ano  –  Leave Me With the Boy

McLusky  –  Icarus Smicarus

Lab Coast  –  Best I Ever Had

the Jazz Butcher  –  The Devil Is My Friend

Nomeansno  –  The End of All Things

Entombed  –  Wreckage

Bill Callahan  –  One Fine Morning

Freakwater  –  Washed in the Blood

Hayden  –  Hollywood Ending

Booker T. Jones  –  Everything is Everything

Come  –  In/Out

Dump  –  So Long

Ol Smashy – Cryin Over You

Teenage Kicks – Beasts of England

Slates – Dirty Water

Brahja Waldman’s Quartet – Get Used to Saying Goodbye

Nadir Bellahmer  – Round 2

Beastie Boys – Don’t Play No Game That I Can’t Win

Polystyrene – Virtual Boyfriend

Chop Chop – The Shapeshifter Deception

Stepchild – Trouble Every Day

Former Thieves – I Can’t Get Here From There

Do You Guys Take Requests?

While I can hardly see the point in coming around to an enjoyment of the Smiths at this late date, I think there might be something to be said for the performance of such by a children’s choir. Especially if that choir is directed by Dave Eggers’ stunt double.

And aw heck, as long as we’re on the topic, let’s toss in my favourite, Treepeople’s cover of “Bigmouth Strikes Again“.

Ca 68Comeback Pour Moi

It wouldn’t have been May 12, 2011 if there wasn’t Tom and Craig playing songs for two hours of it. And these were those.

Guadalcanal Diary  –  Watusi Rodeo

Shuyler Jansen  –  If It’s Meant to Be

Vampyre Mike Castle  –  Generic Poems 1, 2 & 3

Lee Pui Ming  –  Turning

Coal  –  Ace of Spades

Sonic Youth  –  Ca Plane Pour Moi

Seam  –  This Ain’t No Picnic

Shellac  –  Killers

The Joe  –  Hire Me

Beastie Boys  –  OK

World Standard  –  The Lonely Driver 1952

Daniel Romano  –  Helen’s Restaurant

Shannon and the Clams  –  You Will Always Bring Me Flowers

Damion Suomi & the Minor Prophets  –  I Hope You Die Sad and Alone

The Sandwitches  –  My Heart Does Swell

Black Mastiff – Keep Your Feet

Crystal Stilts – Alien Rivers

Talking Medication – Last Day of Work

Ben Waters/Stones – Watching the River Flow

Wagon Christ – Accordion McShane

Foxtails Brigade – Pan Asian Delight

Grimes & D’Eon – Vanessa

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